Tolarno Galleries, located in Melbourne, Australia, is a leading contemporary art gallery that has been at the forefront of the Australian art scene for many years. The gallery is known for its commitment to showcasing innovative and thought-provoking works from a diverse range of artists, both established and emerging.

The gallery was established in 1967 and has since been a platform for artists to showcase their work and engage with the public. It has a rich history of exhibitions and has been instrumental in shaping the contemporary art scene in Australia. The gallery's commitment to promoting and nurturing artistic talent is evident in its diverse roster of artists and the innovative exhibitions it hosts.

One of the unique aspects of Tolarno Galleries is its dedication to showcasing a wide range of artistic mediums. From painting and sculpture to installation and video, the gallery is committed to providing a platform for artists to express their creativity in various forms. This commitment is reflected in the gallery's diverse exhibition program, which features a mix of solo and group shows, as well as curated exhibitions that explore specific themes or ideas.

Recent exhibitions at Tolarno Galleries have included "Texere: New Woven Surfaces on Fabric" by Kieren Karritpul, "Florescence" by A&A, "Gorgeous" by Hannah Gartside, "Night Horse" by Gebhardt, "End of Violet" by Justine Varga, and "nil?nil? (the spark)" by Wanapati Yunupingu. Each of these exhibitions has offered viewers a unique insight into the artists' creative processes and the themes and ideas that inspire their work.

For instance, "Texere: New Woven Surfaces on Fabric" by Kieren Karritpul explores the artist's connection with the past and the ancestors through the act of hunting for food in the bush. On the other hand, "Florescence" by A&A, a collaboration between Sydney-based industrial designer Adam Goodrum and French straw-marquetry artisan Arthur Seigneur, presents a suite of three pods and one table inspired by the process of a plant's flowering, known as florescence.

In "Gorgeous," Hannah Gartside uses her skills as a former theatre costumier to create installations, sculptures, and costumes from vintage and found textiles, engaging viewers with fundamental experiences and emotions of our human condition. "Night Horse" by Gebhardt captures the rarely seen ritualised courtship of horses, challenging the dominant anthropocentric view and capturing the undeniable force of non-human narratives.

Justine Varga's "End of Violet" is inspired by a diary penned by Mary Somerville in 1845, detailing her experiments on the colour spectrum and vegetable juices. The exhibition "nil?nil? (the spark)" by Wanapati Yunupingu, in partnership with Buku-Larrngay Mulka Centre, presents a series of sacred designs and narratives relating to his clan, the Gumatj, etched freehand with a rotary drill on found road signs and scrap metal.

Tolarno Galleries continues to be a vital part of Melbourne's vibrant art scene, providing a platform for artists to showcase their work and engage with the public. Its commitment to promoting and nurturing artistic talent, combined with its innovative exhibition program, ensures that it remains at the forefront of contemporary art in Australia.